The Jazz Singer (1927.)

Izvor: Wikipedija
Skoči na: orijentacija, traži
Pjevač jazza
The Jazz Singer 1927 Poster.jpg
Naslov izvornika The Jazz Singer
Godina izdanja 1927.
Trajanje 89 min.
Država Flag of the United States.svg SAD
Jezik engleski
Proračun $422.000
Profil na IMDb-u

The Jazz Singer američki je igrani film iz 1927. godine, poznat prije svega kao prvi cjelovečernji film sa sinkroniziranim dijalozima, a koji se često kolokvijalno (i pogrešno) navodi kao prvi zvučni film. Producirao ga je Warner Bros. studio koristeći Vitaphone tehniku snimanja zvuka na ploči, a redatelj je bio Alan Crosland. Radnja se temelji na kazališnom komadu Samsona Raphaelsona, a naslovnu ulogu - židovskog pjevača iz tradicionalne obitelji, koji prkoseći strogom ocu, napušta dom kako bi započeo uspješnu karijeru jazz pjevača - tumačio je Al Jolson, kom je to bila najpoznatija uloga u karijeri. Film je doživio ogroman komercijalni uspjeh te potakao druge filmske studije u Hollywoodu i ostatku svijeta da u svoja ostvarenja ubacuju što više govora i glazbe, označivši time početak kraja ere nijemog filma.

1980. snimljena je istoimena verzija filma u kojoj nastupaju Neil Diamond, Laurence Olivier i Desi Arnaz.

Filmska ekipa[uredi VE | uredi]

  • Al Jolson kao Jakie Rabinowitz (Jack Robin)
  • May McAvoy kao Mary Dale
  • Warner Oland kao Kantor Rabinowitz
  • Yossele Rosenblatt glumi sam sebe
  • Eugenie Besserer kao Sara Rabinowitz
  • Otto Lederer kao Moisha Yudelson
  • Bobby Gordon kao Jakie Rabinowitz (u dobi od 13 godina)
  • Richard Tucker kao Harry Lee






Literatura[uredi VE | uredi]

  • Bloom, Ken (2004). Broadway: Its History, People, and Places—An Encyclopedia. Taylor & Francis. ISBN 0-415-93704-3
  • Bradley, Edwin M. (2004). The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. Jefferson, N.C.: McFarland. ISBN 0-7864-2029-4
  • Brenner, Lisa Silberman (2003). "Blackface as Religious Expression," Cross Currents, fall (available online).
  • Carringer, Robert L. (1979). The Jazz Singer. Madison: University of Wisconsin Press. ISBN 0-299-07664-4
  • Crafton, Donald (1999 [1997]). The Talkies: American Cinema's Transition to Sound, 1926–1931. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-22128-1
  • Crisp, Colin G. (1997). The Classic French Cinema, 1930–1960. Bloomington/London: Indiana University Press/I. B. Tauris. ISBN 0-253-21115-8
  • Eyman, Scott (1997). The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930. New York: Simon and Schuster. ISBN 0-684-81162-6
  • Finler, Joel W. (1988). The Hollywood Story. New York: Crown. ISBN 0-517-56576-5
  • Gabbard, Krin (1996). Jammin' at the Margins: Jazz and the American Cinema. Chicago: University of Chicago Press. ISBN 0-226-27789-5
  • Glancy, H. Mark (1995). "Warner Bros. Film Grosses, 1921–51: The William Schaefer Ledger," Historical Journal of Film, Radio and Television, March (available online).
  • Gomery, Douglas (2005). The Coming of Sound: A History. New York and Oxon, UK: Routledge. ISBN 0-415-96900-X
  • Hall, Mordaunt (1927). "Al Jolson and the Vitaphone [review of The Jazz Singer]", New York Times, October 7 (available online).
  • Jessel, George (2006 [1943]). So Help Me: The Autobiography of George Jessel. Kessinger. ISBN 1-4286-5975-7
  • Koszarski, Richard (1994 [1990]). An Evening's Entertainment: The Age of the Silent Feature Picture, 1915–1928. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-08535-3
  • Kroll, Jack (1997). "The Movies: They Are The Art Form Of Our Era, A Spectacle That Attracts The Whole World", Newsweek, December 2 (available online).
  • Lhamon, W. T. (1998). Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, Mass.: Harvard University Press. ISBN 0-674-74711-9
  • Low, Rachael (1997 [1971]). The History of the British Film 1918–1929 (The History of British Film, Volume IV). Oxford and New York: Routledge/Taylor & Francis. ISBN 0-415-15649-1
  • Lusk, Norbert (1927). "'Jazz Singer' Scores a Hit", Los Angeles Times, October 16.
  • Rees, Nigel (1999). Brewer's Famous Quotations: 5000 Quotations and the Stories Behind Them. Weidenfeld & Nicolson. ISBN 0-304-36799-0
  • Schatz, Thomas (1998 [1989]). The Genius of the System: Hollywood Filmmaking in the Studio Era. London: Faber and Faber. ISBN 0-571-19596-2
  • Stark, Seymour (2000). Men in Blackface: True Stories of the Minstrel Show. Xlibris. ISBN 0-7388-5735-1
  • Variety staff (1927). "The Jazz Singer," Variety (available online).
  • Willis, Corin (2005). "Meaning and Value in The Jazz Singer (Alan Crosland, 1927)," in Style And Meaning: Studies In The Detailed Analysis Of Film, ed. John Gibbs and Douglas Pye. Manchester University Press. ISBN 0-7190-6524-0

Vanjske poveznice[uredi VE | uredi]